Lynne Taylor-Corbett’s remarkable journey through the realms of dance, theater, and film positioned her as an iconic figure in the world of choreography. Born on December 2, 1946, in Denver, Colorado, her path into the performing arts was a testament to resilience and talent. While she aspired to become a ballet dancer, her realization that she wasn’t suited for classical ballet paved the way for her true calling in choreography. It was this revelation that set her on a trajectory to redefine movement and expression within the intricate fabric of Broadway and Hollywood.
After relocating to New York City to immerse herself in the School of American Ballet, Lynne’s creativity blossomed. Despite the hurdles she faced as a dancer, her innate ability for “theatricality and movement” became her defining trait. By the early 1980s, she gained recognition for her choreographic work at esteemed institutions such as the American Ballet Theater and New York City Ballet. Lynne quickly emerged as a pivotal figure in both contemporary and traditional dance, receiving commissions from a range of prestigious companies including Alvin Ailey American Dance Theater.
Taylor-Corbett made her Broadway debut in 1981 with “Shakespeare’s Cabaret,” but it was her creative genius that solidified her reputation in 1997 with the grand musical “Titanic.” Her work resonated with audiences and critics alike, showcasing her ability to marry storytelling and movement with unmatched finesse. Notably, her choreography for “Swing!”, a musical revue that celebrated the jazz-swing era, demonstrated not just her vision but also her versatility. The show was bathed in vibrant choreography that brought classic songs to life, ultimately leading to her dual nomination for a Tony Award in both choreography and direction.
Parallel to her Broadway success, Lynne carved a niche in Hollywood that began with the iconic film “Footloose” in 1984. Her choreography for the climactic dance scene featuring Kevin Bacon became a cultural phenomenon, epitomizing the carefree spirit of the ’80s. This film acted as a springboard, leading her to work on several notable projects, including “My Blue Heaven,” “Vanilla Sky,” and “Bewitched.” In these roles, she showcased her ability to navigate the intersecting worlds of stage and screen, bridging theatrical dance with cinematic storytelling.
Lynne Taylor-Corbett’s artistic legacy is underscored by a relentless pursuit of innovation in dance, as well as her ability to influence generations of performers and choreographers. Her work is characterized by a unique blend of technical precision and emotional depth, demonstrating her profound understanding of how movement can convey complex narratives. Survived by her son, Shaun Taylor-Corbett, and her siblings, her impact on the performing arts will continue to resonate for years to come.
The world of dance and theater mourns the loss of Lynne Taylor-Corbett, whose passing on January 12, 2024, marks the end of an era for many of her colleagues and admirers. As we remember her formidable contributions across various mediums, we celebrate a life devoted to creativity, the complexities of movement, and the power of storytelling through dance. Lynne’s journey serves as an inspiration, reminding aspiring artists of the importance of adaptability and passion in crafting their unique narratives in the arts.
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